Publications

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2004
Jung, C. R., and R. Schramm, "Rectangle Detection based on a Windowed Hough Transform", Brazilian Symposium on Computer Graphics and Image Processing (SIBGRAPI), Curitiba, 2004.
2006
Jung, C. R., and R. Schramm, "Parallelogram Detection Using the Tiled Hough Transform", International Workshop on Systems, Signals and Image Processing (IWSSIP), Budapeste, 2006.
2007
Schramm, R., and C. R. Jung, "A tool for teaching musical metrics based on computer vision", Computer Graphics International, Petrópolis, CGI, pp. 71-78, June, 2007. Abstract
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2012
Schramm, R., and F. L. de Mattos, "Sistema computacional aplicado ao contraponto musical", Ictus-Periódico do PPGMUS/UFBA, vol. 12, issue 2, pp. 29-41, 2012.
2014
Visi, F., R. Schramm, and E. R. Miranda, "Gesture in performance with traditional musical instruments and electronics: Use of embodied music cognition and multimodal motion capture to design gestural mapping strategies", International Workshop on Movement and Computing, MOCO'14, Paris, France, June 16-17, 2014: {ACM}, pp. 100, 2014. Abstract

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Schramm, R., H. S. de Nunes, A. Antoine, and E. R. Miranda, "A generative system for the creation of new songs from the Portuguese prosody", In proceedings of 9th Conference on Interdisciplinary Musicology, Berlin, Staatliches Institut für Musikforshung Berlin, pp. 66-71, December, 2014. Abstract

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Visi, F., R. Schramm, and E. Miranda, "Use of Body Motion to Enhance Traditional Musical Instruments", Proceedings of the International Conference on New Interfaces for Musical Expression, London, United Kingdom, Goldsmiths, University of London, pp. 601–604, June 30 – July 0, 2014. Abstract

This work describes a new approach to gesture mapping in a performance with a traditional musical instrument and live electronics based upon theories of embodied music cognition (EMC) and musical gestures. Considerations on EMC and how gestures affect the experience of music inform different mapping strategies. Our intent is to enhance the expressiveness and the liveness of performance by tracking gestures via a multimodal motion capture system and to use motion data to control several features of the music. After a review of recent research in the field, a proposed application of such theories to a performance with electric guitar and live electronics will follow, focusing both on aspects of meaning formation and motion capturing.

Schramm, R., and C. R. Jung, "Temporally coherent stereo matching using kinematic constraints", IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Florence, Italy, IEEE, pp. 554-558, May, 2014. Abstract
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2015
Schramm, R., H. S. de Nunes, and C. R. Jung, "Automatic Solfège Assessment", International Society for Music Information Retrieval Conference, Málaga, 27 October, 2015. 75_paper.pdf
Schramm, R., C. Rosito Jung, and E. Reck Miranda, "Dynamic Time Warping for Music Conducting Gestures Evaluation", Multimedia, IEEE Transactions on, vol. 17, no. 2, pp. 243-255, Feb, 2015. Abstract
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Visi, F., E. Coorevits, R. Schramm, and E. R. Miranda, "Instrumental Movements of Neophytes - Analysis of Movement Periodicities, Commonalities and Individualities in Mimed Violin Performance", In Proceedings of 11th international symposium on computer music multidisciplinary research (CMMR), Plymouth, UK, pp. 518-533, June, 2015. Abstract
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Schramm, R., H. S. de Nunes, L. A. de Nunes, F. Visi, and E. R. Miranda, "One Micro Song, Three Ends: an approach for musical composition and an interactive decision machine based on expressive live performance", Proceedings of the 11th International Symposium on CMMR, Plymouth, UK, pp. 190-197, June, 2015. Abstract
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2016
Schramm, R., H. S. de Nunes, L. A. de Nunes, F. Visi, and E. R. Miranda, "3CMS: An Interactive Decision System for Live Performance", Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers, vol. LNCS 9617: Springer International Publishing, pp. 190—210, 2016. Abstract

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Visi, F., E. Coorevits, R. Schramm, and E. Miranda, "Analysis of Mimed Violin Performance Movements of Neophytes", Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers, vol. LNCS 9617: Springer International Publishing, pp. 88–108, 2016. Abstract

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Schramm, R., H. D. S. Nunes, and C. R. Jung, "Audiovisual Tool for Solfège Assessment", ACM Trans. Multimedia Comput. Commun. Appl., vol. 13, no. 1, New York, NY, USA, ACM, pp. 9:1–9:21, 2016. AbstractWebsite

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de Nunes, H. S., R. Schramm, C. R. Jung, and L. W. Coelho, "Automated Sight-singing Assessment Tool", 14th International Conference on Music Perception and Cognition, San Francisco, pp. 529-533, July, 2016. Abstract
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2017
McLeod, A., R. Schramm, M. Steedman, and E. Benetos, "Automatic Transcription of Polyphonic Vocal Music", Applied Sciences, vol. 7, issue 12, 2017. applsci-07-01285.pdf
Visi, F., E. Coorevits, R. Schramm, and E. R. Miranda, "Musical Instruments, Body Movement, Space, and Motion Data: Music as an Emergent Multimodal Choreography", Human Technology: An Interdisciplinary Journal on Humans in ICT Environments, vol. 13, issue 1, pp. 58-81, 2017. Abstract

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Schramm, R., and E. Benetos, "Automatic transcription of a cappella recordings from multiple singers", AES International Conference on Semantic Audio (BEST PAPER AWARD), Erlangen, 23 Jun, 2017.
Schramm, R., H. S. de Nunes, and E. Benetos, "A Score-Informed Approach for Pitch Visualisation of a Cappella Vocal Quartet Performances", 16th Brazilian Symposium on Computer Music, São Paulo, 5 Sept, 2017.
Schramm, R., A. McLeod, M. Steedman, and E. Benetos, "Multi-pitch detection and voice assignment for a capella recording of multiple singers", 18th International Society for Music Information Retrieval Conference, Suzhou, p552-559, 24 Oct, 2017.
2018
Schramm, R., F. Visi, A. Brasil, and M. Johann, "A polyphonic pitch tracking embedded system for rapid instrument augmentation", NIME, Blacksburg, Virginia, USA, 4 June, 2018.
2019
Domenici, C. L., and R. Schramm, "Uma perspectiva corporificada de conceitos da teoria e análise musical na preparação da performance de Clair de Lune [de] Claude Debussy ", A experiência musical : perspectivas teóricas. S, Salvador, UFBA, 2019.
Lins, F., M. Johann, E. Benetos, and R. Schramm, " Automatic Transcription Of Diatonic Harmonica Recordings", ICASSP, Brighton, UK, 12 May, 2019.
de Nunes, H. S., F. Visi, L. H. W. Coelho, and R. Schramm, "SIBILIM : a low-cost customizable wireless musical interface.", International Conference on New Interfaces for Musical Expression - NIME2019, Porto Alegre, 4 June, 2019.