Publications

Export 19 results:
Ordenar por: [ Ano  (Desc)]
2017
Schramm, R., A. McLeod, M. Steedman, and E. Benetos, "Multi-pitch detection and voice assignment for a capella recording of multiple singers", 18th International Society for Music Information Retrieval Conference, Suzhou, accepted, 2017.
Schramm, R., and E. Benetos, "Automatic transcription of a cappella recordings from multiple singers", AES International Conference on Semantic Audio (BEST PAPER AWARD), Erlangen, 23 Jun, 2017.
Visi, F., E. Coorevits, R. Schramm, and E. R. Miranda, "Musical Instruments, Body Movement, Space, and Motion Data: Music as an Emergent Multimodal Choreography", Human Technology: An Interdisciplinary Journal on Humans in ICT Environments, vol. 13, issue 1, pp. 58-81, 2017. Abstract

n/a

2016
de Nunes, H. S., R. Schramm, C. R. Jung, and L. W. Coelho, "Automated Sight-singing Assessment Tool", 14th International Conference on Music Perception and Cognition, San Francisco, pp. 529-533, July, 2016. Abstract
n/a
Schramm, R., H. S. de Nunes, L. A. de Nunes, F. Visi, and E. R. Miranda, "3CMS: An Interactive Decision System for Live Performance", Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers, vol. LNCS 9617: Springer International Publishing, pp. 190—210, 2016. Abstract

n/a

Visi, F., E. Coorevits, R. Schramm, and E. Miranda, "Analysis of Mimed Violin Performance Movements of Neophytes", Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers, vol. LNCS 9617: Springer International Publishing, pp. 88–108, 2016. Abstract

n/a

Schramm, R., H. D. S. Nunes, and C. R. Jung, "Audiovisual Tool for Solfège Assessment", ACM Trans. Multimedia Comput. Commun. Appl., vol. 13, no. 1, New York, NY, USA, ACM, pp. 9:1–9:21, 2016. AbstractWebsite

n/a

2015
Visi, F., E. Coorevits, R. Schramm, and E. R. Miranda, "Instrumental Movements of Neophytes - Analysis of Movement Periodicities, Commonalities and Individualities in Mimed Violin Performance", In Proceedings of 11th international symposium on computer music multidisciplinary research (CMMR), Plymouth, UK, pp. 518-533, June, 2015. Abstract
n/a
Schramm, R., H. S. de Nunes, L. A. de Nunes, F. Visi, and E. R. Miranda, "One Micro Song, Three Ends: an approach for musical composition and an interactive decision machine based on expressive live performance", Proceedings of the 11th International Symposium on CMMR, Plymouth, UK, pp. 190-197, June, 2015. Abstract
n/a
Schramm, R., C. Rosito Jung, and E. Reck Miranda, "Dynamic Time Warping for Music Conducting Gestures Evaluation", Multimedia, IEEE Transactions on, vol. 17, no. 2, pp. 243-255, Feb, 2015. Abstract
n/a
Schramm, R., H. S. de Nunes, and C. R. Jung, "Automatic Solfège Assessment", International Society for Music Information Retrieval Conference, Málaga, 27 October, 2015. 75_paper.pdf
2014
Schramm, R., and C. R. Jung, "Temporally coherent stereo matching using kinematic constraints", IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Florence, Italy, IEEE, pp. 554-558, May, 2014. Abstract
n/a
Visi, F., R. Schramm, and E. Miranda, "Use of Body Motion to Enhance Traditional Musical Instruments", Proceedings of the International Conference on New Interfaces for Musical Expression, London, United Kingdom, Goldsmiths, University of London, pp. 601–604, June 30 – July 0, 2014. Abstract

This work describes a new approach to gesture mapping in a performance with a traditional musical instrument and live electronics based upon theories of embodied music cognition (EMC) and musical gestures. Considerations on EMC and how gestures affect the experience of music inform different mapping strategies. Our intent is to enhance the expressiveness and the liveness of performance by tracking gestures via a multimodal motion capture system and to use motion data to control several features of the music. After a review of recent research in the field, a proposed application of such theories to a performance with electric guitar and live electronics will follow, focusing both on aspects of meaning formation and motion capturing.

Schramm, R., H. S. de Nunes, A. Antoine, and E. R. Miranda, "A generative system for the creation of new songs from the Portuguese prosody", In proceedings of 9th Conference on Interdisciplinary Musicology, Berlin, Staatliches Institut für Musikforshung Berlin, pp. 66-71, December, 2014. Abstract

n/a

Visi, F., R. Schramm, and E. R. Miranda, "Gesture in performance with traditional musical instruments and electronics: Use of embodied music cognition and multimodal motion capture to design gestural mapping strategies", International Workshop on Movement and Computing, MOCO'14, Paris, France, June 16-17, 2014: {ACM}, pp. 100, 2014. Abstract

n/a

2012
Schramm, R., and F. L. de Mattos, "Sistema computacional aplicado ao contraponto musical", Ictus-Periódico do PPGMUS/UFBA, vol. 12, issue 2, pp. 29-41, 2012.
2007
Schramm, R., and C. R. Jung, "A tool for teaching musical metrics based on computer vision", Computer Graphics International, Petrópolis, CGI, pp. 71-78, June, 2007. Abstract
n/a
2006
Jung, C. R., and R. Schramm, "Parallelogram Detection Using the Tiled Hough Transform", International Workshop on Systems, Signals and Image Processing (IWSSIP), Budapeste, 2006.
2004
Jung, C. R., and R. Schramm, "Rectangle Detection based on a Windowed Hough Transform", Brazilian Symposium on Computer Graphics and Image Processing (SIBGRAPI), Curitiba, 2004.